Harrison 32CĪ great Swiss Army Knife equalizer. Be mindful not to push the volume of that aux track too much. Tip: Run this in parallel on lead vocals or a vocal aux, and add a substantial amount of gain (anywhere from 1 kHz to 27 kHz) to add whatever the vocal might be missing-whether it’s bite, clarity or air. Try this plugin, add a generous amount of 12 or 16 kHz to the two-buss and you’ll see why. The original hardware unit is one of the most widely used equalizers in mastering. Tip: Use this in Unison in conjunction with an Apollo interface, and set it to mic level when recording electric guitar (make sure to turn the output way down) for the most absurd, fuzzy, 70’s lead guitar tone I’ve ever achieved in the box. It’s super smooth and I’d describe it as “forgiving” on vocals, but it works on pretty much anything. Neve 1073ĭepth, clarity, bite, mayhem-normally I choose a specialty EQ to add one of these qualities to my audio, but the 1073 can achieve all of it and more. Tip: Send your bass in parallel to the 33609 and push the input to add excitement and vibe, while still maintaining the dynamics of the original signal. If you’re looking to “glue” multiple sources together and add instant excitement without killing your dynamic range, this is my favorite compressor. This compressor, which models the classic Neve hardware, is a regular on kick, snare, drum buss and master buss. Tip: Experiment with the “bias setting”-try bringing it down to just before the signal starts breaking up, and then push the input for instant vintage saturation and excitement. There are so many tonal options with this plugin-it’s like an EQ, compressor, saturator, signal destroyer all in one. It can also really warm up a master buss and is excellent on lead vocals and close-miked drums. It’s a mainstay on my drum buss and other sub-aux tracks. If I had to choose just one plugin from UAD, this would be it. Here’s a roundup of my ten go-to plugins as well as some mix tips for each. If you’ve seen my video tutorials, you know I tend to mix with a lot of UAD plugins. Some of the following plug-ins are also available as AAX DSP providing users with the choice to still use these in a DSP system outside of UAD being Pro Tools HDX.

In this article we list several cool plug-ins that were once only available on the UAD platform but have since relaunched for use as VST, AU and AAX plug-ins. Direct Developer Plug-Ins UAD Powered Plug-Ins includes plug-ins from our Direct Developer partners. Refer to this document to learn about the operation, controls, and interface of each plug-in. The features and functionality of all the individual UAD Powered Plug-Ins are detailed in the UAD Plug-Ins Manual.

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